![]() Flowers are often to be found in other composers’ work (Schumann’s settings also extol roses and jasmine), but Fauré’s attraction to nature in an enclosed setting is deeply personal. The distance between the talking flowers of the first song and the Eden of the concluding cycle is a musical journey that takes the listener from the light-heartedly ridiculous to the sublime. Amidst the programme’s many roses (clearly the composer’s favourite) are other flowerings (jasmine, for example, is a recurring theme) in various gardens, or flourishing in the wild. The phrase is taken from the Van Lerberghe setting from La chanson d’Ève. The fourth and final volume of the Hyperion intégrale is Dans un parfum de roses. Our aim here is to provide repertoire diversity while retaining chronology within each individual disc issue. One has to weigh the undeniable intellectual satisfaction of chronology, hearing each song as it passes by in its correct sequence, with the more relaxed pleasure of listening to a well-chosen group of songs – with texts that are juxtaposed for a deeper reason than chronological happenstance. It would not even be possible to extrapolate the ‘popular’ Fauré on to a single chronological disc: the towering presence of La bonne chanson would confound any such asset stripping. ![]() For the works that most frequently appear in song recitals one must explore the mélodies of the middle period. On the other hand the masterly cycles of the composer’s later years (another one and a quarter CDs perhaps) can intimidate the music-lover who prefers Fauré at his more conventionally lyrical and accessible. These songs are charming, always interesting, indeed they are often much more than that but the Fauré connoisseur might consider them too lightweight to be heard all at once as they do not represent this composer at his apogee. In a recording presented in chronological terms the first one and a quarter CDs would have to be given over to the composer’s early works. It does not help that Fauré’s creative life subdivides into three, rather than four, periods. This box contained ten sumptuous LP sides there were thus nine opportunities for musical and mental punctuation in listening to the composer’s complete mélodie output at home. The Ameling–Souzay–Baldwin complete Fauré songs on French EMI – a set now thirty years old – was issued in a new chronological order established by the great Fauré scholar Jean-Michel Nectoux. Each of those lieder programmes has been issued one at a time. Neither the Hyperion Schubert Edition nor the Schumann (nearly 50 CDs between them) attempted a chronological approach (at least, not until the recent appearance of a re-mastered edition of the Schubert songs, Hyperion CDS44201/40). The complete Fauré songs require four CDs, and the question arises as how best to programme them. ![]() Double-album sets of the complete songs of Ernest Chausson and Emmanuel Chabrier then appeared. The first composer to have an intégrale in this edition was Henri Duparc this was followed by Déodat de Séverac and Louis Durey (both on single discs). However, when mixed with the right hues and patterns, you can downplay its noise and use it to create a comfortable, inviting and playful space.The Hyperion French Song Edition has already issued single-disc selections of mélodies by Georges Bizet and Camille Saint-Saëns as well as double albums of selected songs by Charles Gounod and Reynaldo Hahn. You can pull this look off in your foyer, dining room, living room, bedroom or even kitchen. Consider using the flower itself as your accent pieces or make camellia rose drapes your focal point. Use this color and pattern scheme in your living room, or a bedroom.Ĭamellia rose also works really well with touches of teal and gold in a predominantly neutral setting. Doing so shows sophistication and ingenuity. Try mixing it up, though, with a brownish-tan animal print. The pink camellia rose is so stunning the color was named after the rose itself.Ī lot of people pair this vivacious hue with animal prints such as zebra and other black and white prints. By far the most sought-after rose, however, is the one of the hot-pink variety. Camellia roses range from white to pink to red to yellow. Though the petals may be few, the color of each petal is vibrant and makes each flower appear to be more abundant than it actually is. Camellia Rose Camellia roses, which are native to Japan, produce five to nine petals per stem.
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